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許瑋甯,陳昊森,尹馨,薛仕凌,王渝屏
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張譯,張頌文,李一桐,張志堅,吳剛,倪大紅,韓童生,李建義,石兆琪,高葉,李健,王驍,蘇小玎,郝平,林家川,阿如那,鮑大志,令卓,岳陽(大陸),寧曉志,孫巖,崔志剛,曲柵柵,王沛祿,王宏,鄭家彬,馮兵,趙梓衝,蘇茂洋,康福震,秦戈,趙龍豪
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獨家中文字幕
劉志賢,閔道允,尚宇,新春,宇烈
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吳磊,趙露思,郭濤,曾黎,保劍鋒,童蕾,李昀銳,餘承恩,徐嬌,曹曦文,施詩,陳意涵,張月,汪卓成,王梓薇,高寒,許娣,張天陽,彭楊,沙寶亮
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井柏然,譚松韻,李岷城,張柏嘉,王皓,張喬耳,許榕真,梁天,吳玉芳,宋寧峰,郭笑天,劉陸,張恩碩,沙寶亮,海鈴,李墨之,鄭家彬,龔毅星,薛宇檳,賀鏹,吳承澤,孫雅麗,蘇鑫,李思奇,宋一雄,龔銳,杭一帆,陸宇鵬
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鄭大英
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羅雲熙,白鹿,陳都靈,鄧為,孫珍妮,于波,耿業庭,黃馨瑤,鄭國霖,黃海冰,李沛恩,劉敏,何中華,王一菲,肖順堯,常魯峰,張家碩,張芷溪,陳博豪,汪汐潮,李家豪,盧勇,徐美玲,王駕麟,嶽躍利,曲尼次仁
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首支預告
王鶴棣,陳鈺琪,何潤東,曾黎,鶴男,王櫟鑫,關暢,韓浩天,程梓
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鄭愷,陳鈺琪,王鶴棣,張紹剛,袁文康,梁超,吳亞衡,張悅馳,程梓,合文俊,吳明晶
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張彬彬,徐璐,王佑碩,鄭合惠子,王以綸,馬月,張子健,呂行,張雅卓
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李恩美
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陳飛宇,張婧儀,趙志偉,曾可妮,崔雨鑫,錢迪迪,姜梓新,馬可
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鞠婧禕,郭俊辰,劉冬沁,陸婷玉,馬月,張志浩,宋昕冉,寇振海,聶子皓,姜杉,何奕辰,胡坤,章秘蜜,張大寶,張嘉鑫,鼎傑,郭康敏
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陳展鵬,唐詩詠,馬國明,陳山聰,江美儀,劉穎鏇,劉佩玥,張頴康,陳自瑤,歐瑞偉,鄧永健,朱斐斐,胡諾言,郭子豪,伍樂怡,鄭啟泰,彭懷安,莊思明,董敬文,許家傑,吳家樂,楊證樺,容天佑,趙希洛,阮浩棕,李嘉晉,李爾晨,陳國峰,潘冠霖,利穎怡,古天祥,袁鎮業,馮素波,邵卓堯
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李一桐,畢雯珺,何瑞賢,陳鶴一,馬月,楊仕澤,王茂蕾,鄧英,傅首爾
“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today.
The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster.
As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself.
“Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.